I’m packing my bags again, this time for the Himalayan Kingdom of Bhutan where I will participate in the International Society of Ethnobiology Conference. Ever since I’ve known that Bhutan existed, I’ve longed to go there, and at last there is this wonderful conference, plus field trips. In using the word ‘wonderful’, I want to note that this is the first conference I have ever attended that has had a special section titled ‘sung sessions’, dedicated to ‘myth and ritual’. I can’t wait to be part of it, and of course I’ll provide a report.
Before I leave the country, though, I need to say a proper and loving farewell to Dinky the Singing Dingo. Dinky died a couple of weeks ago at age fourteen. He was described by many who loved him as a great ambassador for dingoes, as well as for tourism.
For much of his life, Dinky held forth at Stuarts Well Roadhouse south of Alice Springs. The owner of the roadhouse, Jim Cotterill, told me that Dinky’s family was living in an area where 1080 was laid, and the nursing mother died. Some stockmen found the litter of six pups in a hollow under a sandhill. They put a trap outside, and it took about three days for the little pups to give up waiting for their mother and to come out. I do not understand why the stockmen took the pups back to the head station, since the purpose of 1080 was to kill them, but in any case, the owner knew that the Cotterills had a few animals at the pub. He rang and asked if they’d like a dingo. Jim said the pup was about six or eight weeks old when he got him. His pup-mates were all killed.
Jim’s daughters played the piano, and when they practiced, Dinky started singing along with them. Later in the pub Dinky hopped up on the piano and walked back and forth singing. According to Cotterill:
“Every time someone starts playing the piano, Dinky creates a din. He starts howling, or singing as we call it. With a chair alongside the piano, he will walk up onto the keys – we call that his playing. He stands there and sings.”
Dinky’s singing was absolutely awesome, especially as he was willing to allow people to get very close. I taped him so that I could hear him whenever I wanted to. Later, though, I couldn’t bear to listen. Not after I came to realise that I knew the song; I had listened to it and sung it many times. From the Babylonian victory right up until today, the song cries out the anguish of exile and diaspora, of those who can never go home again. Part of the beauty of such songs is their improbability: that beauty should burst forth in the midst of disaster and despair seems miraculous. And the beauty also expresses the challenge and heartbreak that emerge in consequence of the cruelty of those who seek the annihilation of others.
What does one do? I taped Dinky, looking into his deep mouth and listening to his sonorous voice as he called out for harmony. Later, I felt ashamed, and later still I felt desolate. I was awed to be in his presence, and I wanted to take a fragment home with me. I thought of him and wrote about him, and I thought and wrote about all the silencing that goes on as more and more animals are killed. I searched for a story that would do justice to Dinky and to all of his kin and kind.
Dinky had many comrades, both permanent and transient. Others who visited actually engaged in making song with him. That was what he was calling for, and the encounters that met him on his own musical ground are precious. My friend Hollis Taylor visited Dinky, and she sat at the piano and played with him. She understands music far better than I do, and she found that Dinky sang in perfect pitch. She understood, I think, that what he longed for was the family that makes song together. Hollis recorded the music she and Dinky made, reproducing this stunningly beautiful moment of encounter and recognition across species (listen here).
These moments of beauty, when members of two species join their songs together, are terribly rare. At this time many more dingoes and other animals are victims of 1080 poison. They are dying terrible deaths in outback Queensland, and all across Australia. The poison itself is the product of an industrial killing complex that brings great shame upon our society and our species, while bringing disaster upon our fellow singers.
As I wrote in an earlier essay, my email buddy Ray Pierotti is investigating the love-hate relationships humans have with the genus Canis. He writes that while humans and canids are capable together of becoming allies, some human groups turn against them. He concludes: ‘My feeling is that, in general, the Canids are shocked by this reversal….’
Probably Dinky was in shock in his early months. Music gave him a place in the world.
After the death, Jim and his family took Dinky back to Stuarts Well and buried him in the country he came from, where he had grown up and lived most of his life. Something of Dinky lingers in that desert country, and my fervent hope is that there are still functioning dingo families out there. May their harmonies sing him home so that he may rejoin the family he lost so long ago.
Dog bless this troubled land.
Dog bless the dingoes who are grieving, and all those who are lost and disoriented. Dog bless the young ones who hardly know how to find their way in a world made perilous through human persecution. Dog bless the possibility of a future in which humans set aside their fear and anger, and find companionship with the creatures of earth.
© Deborah Bird Rose (2014)
Hollis Taylor’s session with Dinky is the last track on her CD ‘Infidel’.
My concerns about cruelty to dingoes are explored in my book Wild Dog Dreaming: Love and Extinction. as well as in other essays on this site.
For more about 1080, the radio program made by Emma Townshend is wonderful (listen here).